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Copyright in the Classroom: Copyright Law

This guide offers a broad overview of copyright and other related concepts, as well as helpful links and resources.

Main Takeaways about Copyright

If nothing else, remember the following:
  • Assume content has copyright, unless you can prove otherwise.
  • Fair-use is not a "right," it is a legal defense.
  • Copyright is an ethical consideration as well as a legal one.

DISCLAIMER: The purpose of this guide is to provide the Jefferson College faculty with basic information about copyright law and fair use in an academic setting. This guide is not meant to offer or substitute for legal advice.

An infographic covering basic elements of copyright, including why it is important and the flow chart for copyright options described in this page.

© Silvia Tolisano and Meryl Zeidenberg 2014

Steps for Determining Use of a Copyrighted Work

Flowchart of questions to ask when determining your use of a copyrighted work

So you're dealing with a copyrighted work. Follow the steps below to determine what you'll need to do in order to use it. 

  1. Figure out if it is in the public domain. 
  2. If not, does the work have a Creative Commons license permitting certain uses?
  3. If not, are there legal exemptions to copyright law that would allow you to use the work?
  4. If not, consider the Fair Use exemption.
    • This is a legal exemption (Section 107), but it's the vaguest and riskiest! Learn more claiming Fair Use here.
  5. If none of this works, seek permission from the copyright holder (and be prepared to possibly pay royalties).

Contacts for Obtaining Permission

Sites to help you find/contact a particular creator or copyright holder:

Obtaining Permission Resources

Resources you can use throughout the process of asking for permission to use a copyrighted work:

Copyright Basics for Educators

Check out this video to review some general information about copyright and how it impacts your role as an educator.

What's Protected?

Copyright law applies to nearly all creative and intellectual works available traditionally and digitally. For copyright protection, a work must be original and "fixed in a tangible medium of expression," or recorded using some form of physical medium. 

What's protected?

  • Literary works
  • Musical works
  • Dramatic works
  • Pantomimes and choreographic works
  • Pictorial, graphic, and sculptural works
  • Motion pictures and other audiovisual works
  • Sound recordings
  • Architectural works

What's not protected?

  • Ideas, concepts, systems, or methods of doing something
  • Principles
  • Discoveries
  • Recipes 
  • Works in the public domain, federal government works, unfixed works (those that have not been recorded in a fixed form- like a song you made up, or the idea for a screenplay you never actually wrote down)
  • Titles, names, short phrases, and slogans
  • Familiar designs, numbers, lettering, fonts, and symbols

For more info on what copyright protects, read this FAQ from the U.S. Copyright Office

Is It Covered By Copyright?

Obtaining Permissions

If you've determined you need to request permission from the copyright holder to use their work:

1. Identify the Copyright Holder
  • Check if there is a copyright notice on the work that identifies the author
  • Keep in mind there may be multiple copyright holders
  • Has the copyright changed hands? It may no longer belong to the original creator
  • The method of identifying owners differs depending on the industry
2. Identify the Rights You Need
  • Copyright is a bundle of rights. What specific rights would you like to request permission for? This could include:
    • Reproduce
    • Distribute
    • Modify
  • Would you like exclusive or non-exclusive rights?
  • What length of time do you need the rights?
3. Be Prepared
  • Plan ahead: requesting permission could take time
  • Submit your request and obtain the response in writing
  • Be prepared for the possibility of licensing fees
  • Multiple rounds of negotiation may be necessary 
  • Ultimately, the copyright holder could say no

via The University of Texas at San Antonio Library